There are many directions we considered when creating Rogue Tyger. Having Tommy Wiseau of the The Room fame be our lead was, well to be honest, not an option. Still, we never ever would have thought of it. You can learn a lot more about it in this article from Deadline.
And, oh what the heck, you can also see the under-six-minute pilot here (warning, some NSFW language):
Yes, we know we have many listeners in the Commonwealth countries, so this is likely just another Thursday for you. However, we are “theater” not “theatre” after all… and in any case, just check out the recording studio in the video below. Ah, we’ll have to tackle a musical one of these days…
We were already excited to see the TV version of War of the Worlds due sometime this year, but we’ve since learned David Tennant aka The Doctor aka Scrooge McDuck will be reading an audio version of War of the Worlds as well. We’re looking forward to both! (And we bet some of you are too).
Of course, if you want a version of War of the Worlds closer to our time and our neck of the woods (the Washington, DC area), you can check out the version we did last year.
Here at our humble JAT headquarters in Deepest Springfield, we keep on watching these sorts of reports the same way YouTubers and others might look at news of changes to the streaming and on-demand video space.
One thing that’s frustrating is that the default definition of “podcast” seems to be mainly non-fiction shows. Don’t get us wrong, we love and listen to many a non-fiction podcast. But as all this money is entering the podcast realm, we can’t help but hope some of that can include full-cast audio stories… and we’d be more hopeful if fiction podcasts were mentioned with more frequency.
We’re still working on getting support through our Patreon campaign, but we absolutely won’t say no to additional revenue sources or, say, someone other than the BBC doing regular audio drama…
The Library of Congress is an amazing institution and works hard to preserve just about everything, but even they need to prioritize.
To that end, they have registries of films and other media that they take extra care to preserve. Every year, about 25 works are added to these registries due to their cultural significance.
This year, the National Recording Registry added 25 songs and assorted audio works. Their selection is always eclectic, but two items caught our eye in their recent announcement.
One was a hard-hitting episode from the first year of Gunsmoke called “The Cabin.” Written by John Meston, it involves Marshall Dillon taking refuge in the titular cabin during a blizzard, only to encounter two very bad men. We won’t go into any more detail than that for people who haven’t heard it, but rest assured, this was a great example of how Gunsmoke wasn’t going to be about a fanciful, happy-go-lucky West.
We’re excited to originate on broadcast radio, but of course when we started JAT (before the time distortion), we were thinking of doing distribution solely as a podcast… so it’s nice to see that people like this radio drama stuff, even if they’re thinking of a lot of examples of the non-fiction variety.
One of our absolute favorite things about audio theater is finding and creating sound effects (actually, this can count for film production too). That’s one of the reasons we’re trying to incorporate plenty of sound effects into our live production of War of the Worldsthis coming Memorial Day weekend.
You can always use more sound effects and the Beeb has long been an excellent source of all sorts of delightful sounds. Our artistic director fondly remembers listening through a multi-LP set of sound effects whilst doing the sound design for a stage production many moons ago. Apparently, he was unsuccessful at slipping in a “drilling into skull” sound effect for a production of “Grease,” but Auntie Beeb had the sound ready for him just in case.